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  • Adaptations of Dostoyevski
  • Algernon Charles Swinburne
  • Aphra Behn
  • By Rivals and Disciples of Moliere
  • Chekov
  • Edward Bulwer Lytton
  • Eugene ONeill
  • Florence Henrietta Darwin
  • French from Shakespeare
  • Friedrich Von Schiller
  • George Bernard Shaw
  • Henrik Ibsen
  • Henry Fielding
  • J M Synge
  • John Galsworthy
  • John Gay
  • Lord Byron
  • Moliere
  • Opera Librettos
  • Oscar Wilde
  • Parades
  • Richard Brinsley Sheridan
  • Sherlock Holmes Pastiches
  • William Congreve
  • William Dean Howells
  • Various
  • Adaptations of Dostoyevski

    THE IDIOT--A dramatization by Frank J. Morlock of the novel by F. Doestoevsky
    Myshkin Everyone says that. But what if the worst pain is not the bodily suffering but the certainty of annihilation? Ah, legal murder is worse than ordinary murder because it takes away a man's last hope. No! You can't treat a man like that!
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    NOTES FROM THE UNDERGROUND
    Adaptation of Dostoevsky's novel by Frank Morlock.
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    Crime and Punishment--Feodor Doestoevski
    Note: Adapted from the novel by Frank J. Morlock C 1966 (a very early multimedia presentation).
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    A RAW YOUTH
    Note: A dramatization of the Dostoevski novel by FRANK J. MORLOCK
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    Algernon Charles Swinburne

    Rosamund, Queen of the Lombards
    ROSAMUND./I am yet alive to question if I live/And wonder what may ever bid me die./But live I will, being yet not dead with thee,/Father. Thou knowest in Paradise my heart./I feel thy kisses breathing on my lips,/Whereto the dead cold relic of thy face/Was pressed at bidding of thy slayer last night
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    Locrine - A Tragedy--Algernon Charles Swinburne
    LOCRINE./This light of dawn is like an evil dream's/ That comes and goes and is not. Yea, and thus/ Our hope on both sides wavering dares allow/ No light but fire to bid us die or live./
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    The Duke of Gandia
    ALEXANDER I believe thou liest not. Girl, the day Looks pale before thy glory. Brow, cheek, eye, Lips, throat, and bosom, thou dost overshine All womanhood man ever worshipped. Once I held thy mother fairest born of all That ever turned old Rome to heaven. Thou hast read Her golden Horace?
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    Aphra Behn

    The Unfortunate Happy Lady: A True History
    I hope you will, Madam,'' said the barbarous Man. But my Business now calls me hence; to Morrow at Dinner I will return to you, and Order the rest of your Things to be brought with me. In the mean while'' (pursu'd the Traytor, kissing his Sister, as he thought and hop'd, the last time) be as chearful as you can, my Dear! and expect all you can wish from me.''
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    The Rover; or, The Banish'd Cavaliers
    'Tis true, I was never a Lover yet -- but I begin to have a shreud Guess, what 'tis to be so, and fancy it very pretty to sigh, and sing, and blush and wish, and dream and wish, and long and wish to see the Man; and when I do, look pale and tremble; just as you did when my Brother brought home the fine English Colonel to see you -- what do you call him? Don Belvile.
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    The Adventure of the Black Lady. A Novel
    For, finding me one Day all alone in my Chamber, and lying on my Bed, in as mournful and wretched a Condition, to my then foolish Apprehension, as now I am; He urg'd his Passion with such Violence and accursed Success for me, with reiterated Promises of Marriage, whenever I pleas'd to challeng 'em, which he bound with the most sacred Oaths and most dreadful Excrations; that partly with my Aversion to the other, and partly wih my Inclinations to pity him, I ruin'd my self
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    ABDELAZER, OR THE Moor's Revenge
    King./ All lives and safeties in my power remain!/ Mistaken charming creature, if my power/ Be such, who kneel and bow to thee,/ What must thine be,/ Who hast the Soveraign command o're me and it!/ Wou'dst thou give life? turn but thy lovely eyes/ Upon the wretched thing that wants it,/ And he will surely live, and live for ever./ Canst thou do this, and com'st to beg of me?
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    THE Amorous Prince, OR, THE Curious Husband
    Fred./ No, she urged that too,/ And left no arguments unus'd/ Might make me sensible of what I did;/ But I was fixt, and overcame them all,/ Repeating still my vows and passions for her,/ Till in the presence of her Maid and Heaven/ We solemnly contracted.
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    The Dutch Lover
    Sil./ Why--I would have thee do--I know not what--/ Still to be with me--yet that will not satisfie;/ To let me--look upon thee--still that's not enough./ I dare not say to kiss thee, and imbrace thee;/ That were to make me wish--I dare not tell thee what--/
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    THE FALSE COUNT, OR, A New Way to play AN OLD GAME
    Not I, be witness heav'n with what reluctancy I forc't my breaking heart; and can I see, that charming Body in my Sisters Armes! that Mouth that has so oft sworn love to me, kist by anothers Lips! no, Jacinta, that night that gives him to another Woman, shall see him dead between the Charmers Armes. My life I hate, and when I live no more for Carlos, I'll cease to be at all, it is resolv'd.
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    Sir Patient Fancy
    Sir Pat. How! her whole Family! I am come to keep open House; very fine, her whole Family! she's Plague enough to mortify any good Christian,--tell her, my Lady and I am gon forth; tell her any thing to keep her away.
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    THE REVENGE: OR, A MATCH IN NEWGATE
    Well. Tho I do not care for this woman now, yet some dregs of the old haunt of Jealousie remain about me still; and I must see what use my friend and quondam Mistriss makes of this kinde opportunitie.--Hah! alone, and musing!
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    THE ROUNDHEADS OR, The Good Old Cause
    La. Des. Seiz'd on, secur'd, was there no time but this? What made him at the Committee, or when there, why spoke he honest Truth? What shall I do, good Corporal Advise: take Gold, and see if you can corrupt his Guards, but they are better paid for doing mischief; yet try, their Consciences are large.
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    THE TOWN-FOPP: OR Sir Timothy Tawdrey
    Bell./ If I must Marry any but Celinda,/ I shall not, Sir, enjoy one moments bliss!/ I shall be quite unman'd, Cruel and Brutal!/ A Beast, unsafe for Woman to converse with;/ Besides, Sir, I have given my Heart and Faith,/ And any second Marriage is Adultery.
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    THE Younger Brother: OR, THE Amorous Jilt
    Geo. Why do I vainly call for Vengeance down, and have it in my Hand? --By Heav'n, I'll back--Whether? To kill a Woman, a young perjur'd Woman!--Oh, ye false Fair Ones! shou'd we do you Justice, A universal Ruin wou'd ensue; Not One wou'd live to stock the World anew. Who is't among ye All, ye Fair Deceivers, ye Charming Mischiefs to the Noble Race, can swear she's Innocent, without Damnation? No, no, go on--be false--be fickle still: You act but Nature--but my faithless Friend--where I repose the Secrets of my Soul--except this one--Alas! he knew not this:--Why do I blame him then?
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    THE Debauchee: OR, THE Credulous Cuckold
    Ale. Because I am kind to your Lord, you imagin I must be so to you? but I wou'd have you to know I am none of those: I am not faln from his favor yet, or if I were, I shou'd not fall to Pages--there be more Lords.
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    Emperor of the Moon
    She who by Nature's light and wavering./ The Town contains not such a false Impertinent./ This Evening I surpris'd her in her Chamber/ Writing of Verses, and between her Lines,/ Some Spark had newly pen'd his proper Stuff./ Curse of the Jilt, I'll be her Fool no more.
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    THE Feign'd Curtizans, OR, A Nights Intrigue
    Cor. Her Sex, a pretty consideration by my youth, an Oath I shall not violate this dozen year, my sex shou'd excuse me, if to preserve their fame, they expected I shou'd ruin my own quiet: in chusing an ill favourd Husband, such as Octavio before a young handsome Lover, such as you say Fillamour is.
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    THE FORC'D MARRIAGE, OR THE Jealous Bridegroom
    Er./ Madam, that grief the better is sustain'd,/ That's for a loss that never yet was gain'd:/ You only lose a man that does not know/ How great the Honour is which you bestow:/ Who dares not hope you love, or if he did,/ Your greatness would his just return forbid;/ His humbler thoughts durst ne're to you aspire,/ At most he would presume but to admire;/ Or if it chanc'd he durst more daring prove,/ You still must languish in concealed love.
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    THE Luckey Chance, OR AN ALDERMAN'S Bargain
    Then beg'd I wou'd be secret: for he vow'd, his whole Repose and Life, depended on my Silence. Nor had I told it now, But that your Ladyship, may find some speedy means to draw him from this desperate Condition.
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    THE Widdow Ranter OR, The HISTORY of Bacon in Virginia
    King. Turn, turn ye fugitive Slaves, and face the Enemy; Oh Villains, Cowards, Deaf to all Command, by Heaven I had my Rival my in view and Aim'd at nothing but my Conquering him--now like a Coward I must fly with Cowards, or like a desperate Mad-Man fall, thus singly midst the numbers.
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    THE Young KING, OR, THE MISTAKE
    Thers./ Urge it no more, Lysander, 'tis in vain,/ My Liberty past all retrieve is lost,/ But they're such glorious Fetters that confine me,/ I wou'd not quit them to preserve that life/ Thou justly sayst I hazzard by my Love.
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    By Rivals and Disciples of Moliere

    The Forfeiture--Riviere Dufresny--translated by Frank J. Morlock
    GERONTE: Better to give you no hope when I have none. You hoped to get 40,000 ecus restitution from your aunts. I tell you again, these two extravagants intend to keep that forfeiture, saying you cannot get it from us unless one of us marries. They're both over fifty. It's a joke to believe that will happen. I need money. My wealth is perishing. Expenses are ruining me. So, as a wise man, I ought to go back to the country and contract a marriage that will get me out of this financial trouble.
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    The Spirit of Contradiction--Riviere Dufresny--translated by Frank J. Morlock
    Lucas: Everything I've planted is torn up. She's replanted all the weeds I tore out when I was grafting. She said they're wildflowers. Then when I planted the cabbages she said she now wants lettuces. Nothing is done by her order that doesn't reverse something I've done. Yesterday she half buried my prunes under melons. I believe, God pardon me! that it would be better for me to plant watermelons in the grape arbor.
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    The Unforseen Return--Jean-Francois Regnard--translated by Frank J. Morlock
    Squire: Whenever you please we will take the same momentous step--hearts united. I am made for the ladies, and, in all modesty, the ladies are made for me. May I be damned if you are not to my taste. I am ready to love you one day to the point of adoration--to the point of madness! But not to the point of marriage. I like amours without consequences-- you understand me, I'm sure?
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    THE WIDOW a la MODE--Donneau de Vise--translated by F. J. Morlock
    DAME JEANNE: Eh, my God! I've seen other widows besides you, who are thinking of their fortune while weeping about their spouse. I propose advice to you that you ought to take. A hundred devils! Your tears won't help you to live.
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    The Two McNaughtens--Jean-Francois Regnard--translated by Frank Morlock
    Spruce Oh, sir, customs inspectors are terrible men. All the savages in the world are less barbarous. They can only talk in monosyllables. "yes, no, what, sir? I have no time. But, sir-- Would you kindly open up--" They need maybe a hundred words in their vocabulary. They give me a headache. Finally, when you need them for something, they're more proud and stuck up than an archbishop.
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    The Double Widowing--by Riviere Dufresny, translated by Frank J. Morlock
    Mrs. MacPherson My husband never tells me his secrets. He's right, for I am too much of a gossip. I like it better when he tells me nothing, because he's so pompous when he tells me a secret. He has such long oaths, so long that I would as soon listen to a hundred sighs from another man. Before he will tell me one word!
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    DOCTOR SCRATCH
    Note: A Comedy Based on Crispin Medecin of Hautroche--English Version by Frank J. Morlock
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    THE TRIPLE MARRIAGE BY DESTOUCHES
    Walter Heaven is my witness, I have tried to conquer my distaste and to respond in kind to such a soft and obliging proceeding; if it still depended on me to comply with your wishes in this--but you force me to tell you, before the whole world, that I am not free and my word is pledged forever.
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    WAIT FOR ME UNDER THE ELM--JEAN-FRANCOIS REGNARD
    Jeremy The devil! Their imagination works overtime. They only invent fashions to hide sins. Furbelows for those who don't have hips; those who have hips, hid them. The long neck and wrinkled throat have given place to the steinkerk and so forth.
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    WAIT FOR ME UNDER THE TREE
    Pierrot Far be it from me to be suspicious. But, when we've got this wonderful Tree that will prove a woman's chastity--I simply don't wish to get married without it. I want Jaqueline to sit in the Tree, and I am going to find Harlequin to prepare the Ceremony.
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    SCENE ADDED FOR THE ANNIVERSARY OF MOLIERE
    This was a scene added to a play called Le Boulevard Bonne nouvelle by Scribe, Moreau, and Melesville. 1820. It is published separately as Scene ajoutee au Le Boulevard Bonne nouvelle and was the work of Moreau.
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    PRISONERS OF WAR--JEAN-JACQUES ROUSSEAU
    GOTERNITZ: Truly, Mr. Macher, your speech causes me pity and your rage makes me laugh. What response should this gentleman give to an exhortation as ridiculous as yours? The proof of the purity of his intention is in the very language he uses to you; if he wanted to deceive you he would probably take you for his confidant.
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    THE FOLLIES OF LOVE--JEAN-FRANCOIS REGARD
    Jenny Yes, you. I believe that these rude manners come from some spirit who is in need of prayers. And to better understand whether this angry thing was soul or body, that made this Sabbath, one evening, I took a cord with two ends firmly attached upstairs. It had the effect I hoped. So soon as all were retired to sleep, I waited in person without noise or light, on guard in a corner. I wasn't long waiting. So pitty-pat down the spirit came, noisily tumbling over the cord. He measured the stairs with his nose.
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    THE SERVANT PROBLEM
    Note: Translated and Adapted from Crispin, Rival of His Master By Alain-Rene Le Sage
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    PANDORA, By VOLTAIRE
    PANDORA: (noticing Prometheus in the midst of the nymphs)/ What object attracts my eyes!/ Of all that I see in these pleasant parts/ It's you, it's you, no question, to whom I owe life. / My soul is filled with the fire from your glances;/ You seem still to vivify me.
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    SAMSON, An opera by Voltaire
    SAMSON: What a sight of horror!/ What, these proud children of error/ Have brought these monsters they adore amongst you?/ God of battles, look in your furor,/ The unworthy rivals that our tyrants implore./ Support my zeal, inspire me/ Avenge your cause, avenge yourself./
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    WAYWARD WENCHES BY JEAN-FRANCOIS REGNARD
    Columbine Much worse. Believe me, from one woman to another, as a faithless one, I much prefer Octavio to any other. Goodbye, miss. I promise you that I will not spring any trap on the heart of your lover--and because of my care for you, you will have no reason to cry thief.
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    THE SCHOOL FOR LOVERS, By ALAIN-RENE LE SAGE
    FRISTON: These lovers are always together,/ With spirits devoted to me/ That around them my order musters,/ Making them observe this law./
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    The Lucky Man--Michel Baron--translated by Frank J. Morlock
    Bendish: Frankly sir, if you hadn't been seconded our ship would have come aground. Truly, the trouble that you had in this adventure--I'm not sorry it happened for I don't doubt that after such a hot alarm you'll take care not to make another such mistake.
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    The Unforeseen Wager
    Note: A play in one act based on a play by Sedaine Translated and adapted by Frank J. Morlock
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    THE VILLAGE COQUETTE OR THE SUPPOSED LOTTERY
    Lucas Suddenly, yes, to find myself there, as in a miracle. I've got the character for it--no matter how hazardous. I gamble, win some, lose some, it's only that it doesn't make one happy. I've played double or nothing out of boredom. I have forty tickets for this lottery.
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    MADAME MOLIERE--Andre Cremieux
    CLITANDRE: Ah, what does fortune, position and the rest matter to me? If it pleases you, Madame, to live far from the court, on a farm, in the breast of some chicken-coop, you dressed as a shepherdess in very humble homespun and I as a good Meneleaus, recalling the original, your shepherd plucking fragile roses to cradle you with songs like those of birds.
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    Chekov

    The Sea-Gull
    TREPLIEFF. [Looking at the stage] Just like a real theatre! See, there we have the curtain, the foreground, the background, and all. No artificial scenery is needed. The eye travels direct to the lake, and rests on the horizon. The curtain will be raised as the moon rises at half-past eight.
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    The Cherry Orchard
    PISCHIN. Well . . Dashenka told me. Now I'm in such a position, I wouldn't mind forging them . . . I've got to pay 310 roubles the day after to-morrow . . . I've got 130 already. . . . [Feels his pockets, nervously] I've lost the money! The money's gone! [Crying] Where's the money? [Joyfully] Here it is behind the lining . . . I even began to perspire.
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    The Three Sisters
    CHEBUTYKIN. My dear girls, my darlings, you are all that I have, you are the most precious treasures I have on earth. I shall soon be sixty, I am an old man, alone in the world, a useless old man. . . . There is nothing good in me, except my love for you, and if it were not for you, I should have been dead long ago. . . .
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    Uncle Vanya
    MARINA. [Shaking her head] This house is topsy-turvy! The Professor gets up at noon, the samovar is kept boiling all the morning, and everything has to wait for him. Before they came we used to have dinner at one o'clock, like everybody else, but now we have it at seven. The Professor sits up all night writing and reading, and suddenly, at two o'clock, there goes the bell! Heavens, what's that? The Professor wants some tea! Wake the servants, light the samovar! Lord, how topsy-turvy!
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    THE ANNIVERSARY
    SHIPUCHIN. Another unpleasantness. . . . This morning your wife came to see me and complained about you once again. Said that last night you threatened her and her sister with a knife. Kusma Nicolaievitch, what do you mean by that? Oh, oh!
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    THE BEAR
    POPOVA. [Looks at the photograph] You will see, Nicolas, how I can love and forgive. . . . My love will die out with me, only when this poor heart will cease to beat. [Laughs through her tears] And aren't you ashamed? I am a good and virtuous little wife. I've locked myself in, and will be true to you till the grave, and you . . . aren't you ashamed, you bad child? You deceived me, had rows with me, left me alone for weeks on end . . . .
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    ON THE HIGH ROAD
    BORTSOV. You don't understand me. . . . Understand me, you fool, if there's a drop of brain in your peasant's wooden head, that it isn't I who am asking you, but my inside, using the words you understand, that's what's asking! My illness is what's asking! Understand!
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    THE PROPOSAL
    NATALYA STEPANOVNA. Ours! You can go on proving it for two days on end, you can go and put on fifteen dress-jackets, but I tell you they're ours, ours, ours! I don't want anything of yours and I don't want to give up anything of mine. So there!
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    A TRAGEDIAN IN SPITE OF HIMSELF
    TOLKACHOV. What sort of a father of a family am I! I am a martyr. I am a beast of burden, a nigger, a slave, a rascal who keeps on waiting here for something to happen instead of starting off for the next world. I am a rag, a fool, an idiot. Why am I alive? What's the use? [Jumps up] Well now, tell me why am I alive?
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    THE WEDDING
    ZHIGALOV. [Bows in all directions, in great emotion] I thank you! Dear guests! I am very grateful to you for not having forgotten and for having conferred this honour upon us without being standoffish And you must not think that I'm a rascal, or that I'm trying to swindle anybody. I'm speaking from my heart--from the purity of my soul! I wouldn't deny anything to good people! We thank you very humbly! [Kisses.]
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    The Boor
    MRS. POPOV: [To SMIRNOV.] If Nikolai Michailovitch is indebted to you, I shall, of course, pay you, but I am sorry, I haven't the money to-day. To-morrow my manager will return from the city and I shall notify him to pay you what is due you, but until then I cannot satisfy your request. Furthermore, today is just seven months since the death of my husband, and I am not in the mood to discuss money matters.
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    Ivanoff
    IVANOFF. I suppose I am. As an onlooker, of course you see me more clearly than I see myself, and your judgment of me is probably right. No doubt I am terribly guilty. [Listens] I think I hear the carriage coming. I must get ready to go. [He goes toward the house and then stops] You dislike me, doctor, and you don't conceal it. Your sincerity does you credit. [He goes into the house.]
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    Edward Bulwer Lytton

    The Lady of Lyons
    Mel. Look you, our bond is over. Proud conquerors that we are, we have won the victory over a simple girl compromised her honor-- embittered her life--blasted, in their very blossoms, all the flowers of her youth. This is your triumph,--it is my shame!--by Bulwer-Lytton
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    The Duchess de la Valliere
    DUCHESS DE LA VALLIÈRE. /Hark! the deep sound,/ That seems a voice from some invisible spirit,/ Claiming the world for God.--When last I heard it/ Hallow this air, here stood my mother, living;/ And I--was then a mother's pride!--and yonder/ Came thy brave brother in his glittering mail;/
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    MONEY: A Comedy IN FIVE ACTS
    EVELYN. Ay, but can the world forget it? This insolent condescension--this coxcombry of admiration-- more galling than the arrogance of contempt!--Look you now--Robe Beauty in silk and cachemire--hand Virtue into her chariot--lackey their caprices--wrap them from the winds--fence them round with a golden circle--and Virtue and Beauty are as goddesses, both to peasant and to prince. Strip them of the adjuncts-- see Beauty and Virtue poor
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    Not So Bad As We Seem
    WILMOT. Price of Paradise Lost! Can't expect such prices for poetry now-a-days, my dear Mr. Fallen. Nothing takes that is not sharp and spicy. Hum! I hear you have some most interesting papers; private Memoirs and Confessions of a Man of Quality recently deceased. Nay, nay, Mr. Fallen; don't shrink back; I'm not like that shabby dog, Tonson. Three hundred guineas for the Memoir of Lord Henry de Mowbray!
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    RICHELIEU; OR, THE CONSPIRACY
    DE MAUPRAT./The Egyptian Dissolved her richest jewel in a draught:/ Would I could so melt time and all its treasures,/ And drain it thus (drinking).
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    Walpole
    What was it I said?--Oh,--the State and the Guelph, For their safety, must henceforth depend on myself. The revolt, scarcely quenched, has live sparks in its ashes; Nay, fresh seeds for combustion were sown by its flashes. Each example we make dangerous pity bequeathes; For no Briton likes blood in the air that he breathes.
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    THE SEA-CAPTAIN; OR, THE BIRTHRIGHT--Bulwer Lytton
    Thou traitor! Hadst thou not five hundred broad pieces--bright, new, gold broad pieces? I recollect the face of every one of them as if it were my own child's;--and all, all that thou mightst never say to me "He lives."
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    Eugene ONeill

    Marco Millions
    All these Mahometan figures remain motionless. Only their eyes move, staring fixedly but indifferently at the POLOS, who are standing at center. Marco is carrying in each hand bags which curiously resemble modern sample cases. He sets these down and gazes around with a bewildered awe.--by Eugene O'Neill
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    Beyond The Horizon
    MRS. ATKINS--Can't! It do make me mad, Kate Mayo, to see folks that God gave all the use of their limbs to potterin' round and wastin' time doin' every thing the wrong way--and me powerless to help and at their mercy, you might say. And it ain't that I haven't pointed the right way to 'em. I've talked to Robert thousands of times and told him how things ought to be done. You know that, Kate Mayo.--by Eugene O'Neill
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    The Emperor Jones
    JONES [His hand going to his revolver like a ftash-menacingly]: Talk polite, white man! Talk polite, you heah me! I'm boss heah now, is you fergettin'? [The Cockney seems about to challenge this last statement with the facts but something in the other's eyes holds and cows him.]--by Eugene O'Neill
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    Anna Christie
    ANNA: Sure I do. Everything's been so different from anything I ever come across before. And now--this fog--Gee, I wouldn't have missed it for nothing. I never thought living on ships was so different from land. Gee, I'd yust love to work on it, honest I would, if I was a man. I don't wonder you always been a sailor.
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    The Long Voyage Home
    NICK--Not fur this ship, ole buck. The capt'n an' mate are bloody slave-drivers, an' they're bound down round the 'Orn. They 'arf starved the 'ands on the larst trip 'ere, an' no one'll dare ship on 'er. [After a pause.} I promised the capt'n faithful I'd get 'im one, and ter-night.
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    The Hairy Ape
    LONG--[As disgusted as he dares to be.] Ain't that why I brought yer up 'ere--to show yer? Yer been lookin' at this 'ere 'ole affair wrong. Yer been actin' an' talkin' 's if it was all a bleedin' personal matter between yer and that bloody cow. I wants to convince yer she was on'y a representative of 'er clarss. I wants to awaken yer bloody clarss consciousness. Then yer'll see it's 'er clarss yer've got to fight, not 'er alone. There's a 'ole mob of 'em like 'er, Gawd blind 'em!
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    The First Man
    JOHN--[Indignantly.] I'm not. I think I've showed my willingness to do everything I could. If Curt was only the least bit grateful! He isn't. He hates us all and wishes we were out of his home. I would have left long ago if I didn't want to do my part in saving the family name from disgrace.
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    Florence Henrietta Darwin

    BUSHES AND BRIARS
    EMILY. Suitable? I'll suitable her. When shall my two hands find time to sew me a gown out of it, I'd like to know? And if 'twas sewn, when would my limbs find time to sit down within of it? [ Flinging it down on the table.] Suitable? You can tell your mistress from me as she can keep her gifts to herself if she can't do better nor this.
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    MY MAN JOHN
    CHRIS. And I'll take and lead you to a place what I do know of, where the water flows clear as a diamond over the stones. And if you bides there waiting quiet you may take the fish as they come along - and there's a dinner such as the Queen might not get every day of the week.
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    The New Year
    STEVE. Ah, 'twasn't much as we could do for the likes of she--what was a regular roadster. Bad herbs, all of them. And if it hadn't been so as 'twas my wedding eve, this one shouldn't have set foot inside of the house. But 'tis a season when a man's took a bit soft and foolish, like, the night afore his marriage. Bain't that so, George?
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    PRINCESS ROYAL
    SUSAN. [Starting up and speaking passionately.] I'll not be taunted for my dancing--I likes to dance wild, and leap with my body when my spirit leaps, and fly with my limbs when my heart flies and move in the air same as the birds do move when 'tis mating time.
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    THE SEEDS OF LOVE
    JEREMY. Come now. Let's have a try. I count as no one have a steadier hand nor me this side of the river, nor a finer eye for seeing as everything be in its place. I'll settle the both of you afore I gets out the horse and trap. Turn round.
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    French from Shakespeare

    French Lear, or The Beggar King--Translated and adapted by F. J. Morlock
    YOUNGEST DAUGHTER: You know very well, my father, that it is not possible to find more eloquent and beautiful comparisons than those my sister has spoken. I could repeat her words.
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    THE STENDHAL HAMLET SCENARIOS--Translated and adapted by Frank J. Morlock
    Note: designs for an 1802 version of the play, very different from what you might be familiar with.
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    LADY MACBETH by J. Le Sire
    Note: Translated and adapted by Frank J. Morlock
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    Falstaff: The Tavern Scene
    This text, by Auguste Vacquerie and Paul Meurice "after W. Shakespeare," was Translated and adapted by Frank J. Morlock
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    Friedrich Von Schiller

    Wilhelm Tell--Friedrich Von Schiller
    GESSLER: Now, Tell! since at a hundred strides thou hitt'st An apple from a tree, So thou wilt have To prove thine art to me -- Now take the crossbow -- Thou hast it there at hand -- and make thee ready, To shoot an apple from the young boy's head -- Yet I would counsel, aim it well, that thou The apple hitt'st with the initial shot, For miss't thou it, so is thine own head lost. (Translated by William F. Wertz, Jr.)
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    The Robbers
    SPIEGEL. Honest, say you? Do you think you'll be less honest then than you are now? What do you call honest? To relieve rich misers of half of those cares which only scare golden sleep from their eyelids; to force hoarded coin into circulation; to restore the equalization of property; in one word, to bring back the golden age; to relieve Providence of many a burdensome pensioner, and so save it the trouble of sending war, pestilence, famine, and above all, doctors--that is what I call honesty, d'ye see; that's what I call being a worthy instrument in the hand of Providence
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    Fiesco
    MOOR. The next are spies and informers--tools of importance to the great, who from their secret information derive their own supposed omniscience. These villains insinuate themselves into the souls of men like leeches; they draw poison from the heart, and spit it forth against the very source from whence it came.
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    Love and Intrigue
    PRESIDENT (furiously). Insolent villain! Your impertinence shall procure you a lodging in prison. (To his servants). Call in the officers of justice! Away! (Some of the attendants go out. The PRESIDENT paces the stage with a furious air.) The father shall to prison; the mother and her strumpet daughter to the pillory! Justice shall lend her sword to my rage! For this insult will I have ample amends. Shall such contemptible creatures thwart my plans, and set father and son against each other with impunity? Tremble, miscreants! I will glut my hate in your destruction--the whole brood of you--father, mother, and daughter shall be sacrificed to my vengeance!
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    The Camp of Wallenstein
    CAPUCHIN./ Hurrah! halloo! tol, lol, de rol, le!/ The fun's at its height! I'll not be away!/ Is't an army of Christians that join in such works?/ Or are we all turned Anabaptists and Turks?/ Is the Sabbath a day for this sport in the land,/ As though the great God had the gout in his hand,/ And thus couldn't smite in the midst of your band?/
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    The Piccolomini -- Schiller [Translated by S. T. Coleridge]
    MAX./ 'Twas the first leisure of my life. O tell me,/ What is the meed and purpose of the toil,/ The painful toil which robbed me of my youth,/ Left me a heart unsouled and solitary,/ A spirit uninformed, unornamented!/ For the camp's stir, and crowd, and ceaseless larum,/
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    The Death of Wallenstein--Schiller [Translated by S. T. Coleridge]
    WRANGEL./ Comprehend who can!/ My lord duke, I will let the mask drop--yes!/ I've full powers for a final settlement./ The Rhinegrave stands but four days' march from here/ With fifteen thousand men, and only waits
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    Don Carlos
    CARLOS./ Then let me first collect my scattered thoughts./ The alarm of joy still trembles in my bosom./ Did I e'er lift my fondest hopes so high,/ Or trust my fancy to so bold a flight?/ Show me the man can learn thus suddenly/ To be a god. I am not what I was.
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    Demetrius
    DEMETRIUS./ Oh, take my thanks, ye reverend senators!/ That ye have lent your credence to these proofs;/ And if I be indeed the man whom I/ Protest myself, oh, then, endure not this/ Audacious robber should usurp my seat,/ Or longer desecrate that sceptre which/ To me, as the true Czarowitsch, belongs./
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    Mary Stuart
    MARY./ O spare me, sir! No further. Spread no more/ Life's verdant carpet out before my eyes,/ Remember I am wretched, and a prisoner./
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    The Maid of Orleans
    BERTRAND./ E'en she, the mother-queen, proud Isabel/ Bavaria's haughty princess--may be seen,/ Arrayed in armor, riding through the camp;/ With poisonous words of irony she fires/ The hostile troops to fury 'gainst her son,/ Whom she hath clasped to her maternal breast./
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    The Bride of Messina
    This strife! bring peace again, or soon Messina/ Shall bow to other lords." Your stern decree/ Prevailed; this heart, with all a mother's anguish/ O'erlabored, owned the weight of public cares./ I flew, and at my children's feet, distracted,/ A suppliant lay; till to my prayers and tears/ The voice of nature answered in their breasts!/
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    George Bernard Shaw

    Pygmalion
    LIZA [as she goes out] Well, what I say is right. I wont go near the king, not if I'm going to have my head cut off. If I'd known what I was letting myself in for, I wouldnt have come here. I always been a good girl; and I never offered to say a word to him; and I dont owe him nothing; and I dont care; and I wont be put upon; and I have my feelings the same as anyone else-- by George Bernard Shaw
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    Mrs. Warren's Profession
    PRAED. Well, in making you too conventional. You know, my dear Miss Warren, I am a born anarchist. I hate authority. It spoils the relations between parent and child; even between mother and daughter. Now I was always afraid that your mother would strain her authority to make you very conventional. It's such a relief to find that she hasnt.
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    You Never Can Tell
    McCOMAS. Howled at! My dear good lady: there is nothing in any of those views now-a-days to prevent her from marrying a bishop. You reproached me just now for having become respectable. You were wrong: I hold to our old opinions as strongly as ever. I don't go to church; and I don't pretend I do. I call myself what I am: a Philosophic Radical, standing for liberty and the rights of the individual, as I learnt to do from my master Herbert Spencer.
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    The Dark Lady of the Sonnets
    THE LADY. [echoing him] Mary! Mary! Who would have thought that woman to have had so much blood in her! Is it my fault that my counsellors put deeds of blood on me? Fie! If you were women you would have more wit than to stain the floor so foully. Hold not up her head so: the hair is false. I tell you yet again, Mary's buried: she cannot come out of her grave.
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    MAJOR BARBARA
    LADY BRITOMART. Charles Lomax's exertions are much more likely to decrease his income than to increase it. Sarah will have to find at least another £800 a year for the next ten years; and even then they will be as poor as church mice. And what about Barbara? I thought Barbara was going to make the most brilliant career of all of you. And what does she do? Joins the Salvation Army; discharges her maid; lives on a pound a week
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    Caesar and Cleopatra
    CLEOPATRA. Of course not: I am the Queen; and I shall live in the palace at Alexandria when I have killed my brother, who drove me out of it. When I am old enough I shall do just what I like. I shall be able to poison the slaves and see them wriggle, and pretend to Ftatateeta that she is going to be put into the fiery furnace.
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    Man and Superman
    OCTAVIUS. You see, under this new arrangement, you and Ramsden are her guardians; and she considers that all her duty to her father is now transferred to you. She said she thought I ought to have spoken to you both in the first instance. Of course she is right; but somehow it seems rather absurd that I am to come to you and formally ask to be received as a suitor for your ward's hand.
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    Captain Brassbound's Conversion
    BRASSBOUND. Nervous, sir! no. Nervousness is not in my line. You will find me perfectly capable of saying what I want to say--with considerable emphasis, if necessary. (Sir Howard assents with a polite but incredulous nod.)
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    Augustus Does His Bit
    AUGUSTUS. I did not know that I was talking to an imbecile. You ought to be ashamed of yourself. There must be an end of this drunken slacking. I'm going to establish a new order of things here. I shall come down every morning before breakfast until things are properly in train. Have a cup of coffee and two rolls for me here every morning at half-past ten.
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    Annajanska, the Bolshevik Empress
    STRAMMFEST [snatching the telephone and listening for the answer]. Speak louder, will you: I am a General I know that, you dolt. Have you captured the officer that was with her?... Damnation! You shall answer for this: you let him go: he bribed you. You must have seen him: the fellow is in the full dress court uniform of the Panderobajensky Hussars. I give you twelve hours to catch him or...what's that you say about the devil?
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    Great Catherine (Whom Glory Still Adores)
    CATHERINE [rising eagerly]. Yes, the museum. An enlightened capital should have a museum. [She paces the chamber with a deep sense of the importance of the museum.] It shall be one of the wonders of the world. I must have specimens: specimens, specimens, specimens.
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    The Inca of Perusalem
    THE PRINCESS. Oh no: you mustn't think I want one. It's so unpatriotic to want anything now, on account of the war, you know. I sent my maid away as a public duty; and now she has married a soldier and is expecting a war baby. But I don't know how to do without her. I've tried my very best; but somehow it doesn't answer: everybody cheats me; and in the end it isn't any saving. So I've made up my mind to sell my piano and have a maid.
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    O'Flaherty V.C.
    O'FLAHERTY. If you'd been brought up by my mother, sir, you'd know better than to joke about her. What I'm telling you is the truth; and I wouldn't tell it to you if I could see my way to get out of the fix I'll be in when my mother comes here this day to see her boy in his glory, and she after thinking all the time it was against the English I was fighting.
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    Heartbreak House
    MANGAN [throwing himself into the chair distractedly]. My brain won't stand it. My head's going to split. Help! Help me to hold it. Quick: hold it: squeeze it. Save me. [Ellie comes behind his chair; clasps his head hard for a moment; then begins to draw her hands from his forehead back to his ears]. Thank you. [Drowsily]. That's very refreshing. [Waking a little]. Don't you hypnotize me, though. I've seen men made fools of by hypnotism.
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    How He Lied to Her Husband
    Now if you only knew the least little thing about the world, Henry, you'd know that in a large family, though the sisters quarrel with one another like mad all the time, yet let one of the brothers marry, and they all turn on their unfortunate sister-in-law and devote the rest of their lives with perfect unanimity to persuading him that his wife is unworthy of him. They can do it to her very face without her knowing it
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    John Bull's Other Island
    BROADBENT [scared and much upset]. On my word I believe I am, Miss Reilly. If you say that to me again I shan't answer for myself: all the harps of Ireland are in your voice. [She laughs at him. He suddenly loses his head and seizes her arms, to her great indignation]. Stop laughing: do you hear? I am in earnest-- in English earnest. When I say a thing like that to a woman, I mean it.
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    Arms and the Man
    MAN. It's good enough for a man with only you to stand between him and death. (As they look at one another for a moment, Raina hardly able to believe that even a Servian officer can be so cynically and selfishly unchivalrous, they are startled by a sharp fusillade in the street. The chill of imminent death hushes the man's voice as he adds) Do you hear? If you are going to bring those scoundrels in on me you shall receive them as you are.
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    The Devil's Disciple
    RICHARD (seriously). Because it's true. I was brought up in the other service; but I knew from the first that the Devil was my natural master and captain and friend. I saw that he was in the right, and that the world cringed to his conqueror only through fear. I prayed secretly to him; and he comforted me, and saved me from having my spirit broken in this house of children's tears.
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    Overruled
    JUNO. I sinned in intention. [Mrs. Juno abandons him and resumes her seat, chilled]. I'm as guilty as if I had actually sinned. And I insist on being treated as a sinner, and not walked over as if I'd done nothing, by your wife or any other man.
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    Androcles and the Lion
    THE CAPTAIN (suddenly resuming his official tone) I call the attention of the female prisoner to the fact that Christians are not allowed to draw the Emperor's officers into arguments and put questions to them for which the military regulations provide no answer. (The Christians titter).
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    Preface to Androcles and the Lion--George Bernard Shaw
    All this will become clear if we read the gospels without prejudice. When I was young it was impossible to read them without fantastic confusion of thought. The confusion was so utterly confounded that it was called the proper spirit to read the Bible in. Jesus was a baby; and he was older than creation. He was a man who could be persecuted, stoned, scourged, and killed; and he was a god, immortal and all-powerful, able to raise the dead and call millions of angels to his aid.
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    Candida
    MORELL. Scarlatina!--rubbish, German measles. I brought it into the house myself from the Pycroft Street School. A parson is like a doctor, my boy: he must face infection as a soldier must face bullets. (He rises and claps Lexy on the shoulder.) Catch the measles if you can, Lexy: she'll nurse you; and what a piece of luck that will be for you!--eh?
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    The Man of Destiny
    LADY. Thank you, General: I have no doubt the sensation is very voluptuous; but I had rather not. I simply want to go home: that's all. I was wicked enough to steal your despatches; but you have got them back; and you have forgiven me, because (delicately reproducing his rhetorical cadence) you are as generous to the vanquished after the battle as you are resolute in the face of the enemy before it. Won't you say good-bye to me? (She offers her hand sweetly.)
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    The Doctor's Dilemma
    WALPOLE [vindictively] I wish I had: I'd make a better man of you. Now attend. [Shewing him the book] These are the names of the three doctors. This is the patient. This is the address. This is the name of the disease. [He shuts the book with a snap which makes the journalist blink, and returns it to him]. Mr Dubedat will be brought in here presently. He wants to see you because he doesnt know how bad he is. We'll allow you to wait a few minutes to humor him; but if you talk to him, out you go. He may die at any moment.
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    The Doctor's Dilemma: Preface on Doctors--George Bernard Shaw
    In the first frenzy of microbe killing, surgical instruments were dipped in carbolic oil, which was a great improvement on not dipping them in anything at all and simply using them dirty; but as microbes are so fond of carbolic oil that they swarm in it, it was not a success from the anti-microbe point of view. Formalin was squirted into the circulation of consumptives until it was discovered that formalin nourishes the tubercle bacillus handsomely and kills men. The popular theory of disease is the common medical theory: namely, that every disease had its microbe duly created in the garden of Eden, and has been steadily propagating itself and producing widening circles of malignant disease ever since.
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    The Philanderer
    JULIA. I couldn't bear it any longer. Oh, to see them sitting there at lunch together, laughing, chatting, making game of me! I should have screamed out in another moment--I should have taken a knife and killed her--I should have--(Cuthbertson appears with the luncheon bill in his hand. He stuffs it into his waistcoat pocket as he comes to them. He begins speaking the moment he enters.)
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    Getting Married
    COLLINS. Bless you, maam, theres all sorts of bonds between all sorts of people. You are a very affable lady, maam, for a Bishop's lady. I have known Bishop's ladies that would fairly provoke you to up and cheek them; but nobody would ever forget himself and his place with you, maam. --includes Preface
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    Arms and the Man
    Improved text, supersedes earlier version.
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    Fanny's First Play--George Bernard Shaw
    MARGARET. No. I wish I had. I could have had the same experience in better company. Please sit down, Monsieur Duvallet. [She sits between the table and the sofa. Mrs Knox, overwhelmed, sits at the other side of the table. Knox remains standing in the middle of the room].
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    Press Cuttings
    MITCHENER (intolerantly). No I wont hang it all. It's no use coming to me and talking about public opinion. You have put yourself into the hands of the army; and you are committed to military methods. And the basis of all military methods is that when people wont do what they are told to do, you shoot them down.
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    The Shewing-up of Blanco Posnet
    BLANCO. Not they. Hanging's too big a treat for them to give up a fair chance. Ive done it myself. Ive yelled with the dirtiest of them when a man no worse than myself was swung up. Ive emptied my revolver into him, and persuaded myself that he deserved it and that I was doing justice with strong stern men. Well, my turn's come now.
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    Cashel Byron's Profession--George Bernard Shaw
    Alice went home from the castle expecting to find the household divided between joy at her good-fortune and grief at losing her; for her views of human nature and parental feeling were as yet pure superstitions. But Mrs. Goff at once became envious of the luxury her daughter was about to enjoy, and overwhelmed her with accusations of want of feeling, eagerness to desert her mother, and vain love of pleasure.
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    Henrik Ibsen

    Peer Gynt
    For my part, may Ingrid of Hegstad go marry/whoever she pleases. It's all one to me./[Looks down at his clothes.]/My breeches are torn./ am ragged and grim.-If only I had something new to put on now.--by Henrik Ibsen
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    A Doll's House
    That is like a woman! But seriously, Nora, you know what I think about that. No debt, no borrowing. There can be no freedom or beauty about a home life that depends on borrowing and debt. We two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. --by Henrik Ibsen
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    Ghosts
    Engstrand. And it was when your mother was in a nasty temper. I had to find some way of getting my knife into her, my girl. She was always so precious gentile. (Mimicking her.) "Let go, Jacob! Let me be! Please to remember that I was three years with the Alvings at Rosenvold, and they were people who went to Court! (Laughs.) --by Henrik Ibsen
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    An Enemy of the People
    Hovstad. I am of humble origin, as you know; and that has given me opportunities of knowing what is the most crying need in the humbler ranks of life. It is that they should be allowed some part in the direction of public affairs, Doctor. That is what will develop their faculties and intelligence and self respect--
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    The Lady From The Sea
    Bolette. Yes! I think we live very much as the carp down there in the pond. They have the fjord so near them, where the shoals of wild fishes pass in and out. But the poor, tame house-fishes know nothing, and they can take no part in that.
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    Pillars of Society
    There! I have given it him in earnest now; I don't think he will forget that thrashing! What do you say?--And I say that you are an injudicious mother! You make excuses for him, and countenance any sort of rascality on his part--Not rascality? What do you call it, then? Slipping out of the house at night, going out in a fishing boat, staying away till well on in the day, and giving me such a horrible fright when I have so much to worry me!
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    Rosmersholm
    Rosmer. I think it might be done. What happiness it would be to live one's life, then! No more hateful strife--only emulation; every eye fixed on the same goal; every man's will, every man's thoughts moving forward-upward--each in its own inevitable path Happiness for all--and through the efforts of all!
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    The Wild Duck
    Hialmar. And if I am unreasonable once in a while, -- why then -- you must remember that I am a man beset by a host of cares. There, there! (Dries his eyes.) No beer at such a moment as this. Give me the flute
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    The Master Builder
    HILDA. [Rises, half serious, half laughing.] No indeed, Mr. Solness! What can be the good of that? No one but you should be allowed to build. You should stand quite alone--do it all yourself. Now you know it.
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    When We Dead Awaken
    ULFHEIM. Well, there's some one on the point of giving up the ghost, then--in on corner or another.--People that are sickly and rickety should have the goodness to see about getting themselves buried--the sooner the better.
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    Hedda Gabler
    HEDDA. Indeed? [Looks at the address.] Why yes, it's addressed in Aunt Julia's hand. Well then, he has remained at Judge Brack's. And as for Eilert Lovborg--he is sitting, with vine leaves in his hair, reading his manuscript.
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    Little Eyolf
    RITA. [Throwing her arms passionately round his neck.] For then, at last, I should have you to myself alone! And yet--not even then! Not wholly to myself! [Bursts into convulsive weeping.] Oh, Alfred, Alfred--I cannot give you up!
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    Henry Fielding

    The Intriguing Chambermaid
    Lett. With his Passion for your young Mistress, or rather her Passion for him. I have been bantering him 'till he is in such a Rage that I actually doubt whether he will not beat her or no.
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    The Lottery
    Love. Ha! by all that's infamous, she is in Keeping already; some Bawd has made Prize of her as she alighted from the Stage-Coach.--While she has been flying from my Arms, she has fallen into the Colonel's.
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    Love in Several Masques
    Rattle. Pugh! there's a Rival, indeed! Besides, I am sensible that I am the happy He whom she has chosen out of our whole Sex. She is stark mad in Love, poor Soul! and let me alone when I have made an Impression. I tell yee, Sirs, I have had Opportunities, I have had Encouragements, I have had Kisses and Embraces, Lads; but, mum. Now, if you tell one Word, Devil take me, if ever I trust you with a Secret again.
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    Miss Lucy in Town
    Hay. Ay, Madam, these Things would have drest your Ladyship very well an hundred Years ago: But the Fashions are altered. Laced Pinners, indeed! You must cut off your Hair, and get a little Perriwig, and a French Cap; and instead of a great Watch, you must have one so small, that it is impossible it should go; and--But come, this young Lady will instruct You. Pray, Miss, wait on the Lady to her Apartment, and send for proper Tradesmen to dress her; such as the fine Ladies use. Madam, you shall be drest as you ought to be.
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    Plutus
    Poverty. Be assured I will absolutely destroy you, ye wicked wretches, who have dared conceive such an insufferable and audacious attempt; an attempt, which no one, at any time, either god or man, hath ventured on: wherefore you may both conclude yourselves already destroyed.
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    The Wedding Day
    Mil. Positively.--And, hearkee--tell the enraged fair One, she hath made a double Conquest: Her Beauty got the better of my Reason, and now her Anger hath got the better of my Love.--Give my humble Service to her, and when she comes to herself again, tell her I am come to my self.
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    The Welsh Opera
    Sweet. I take Love to be rather like a Mess of Pease-Porridge, where tho' there are some bad Pease, there are more good ones; but then it is unlike a Mess of Pease-Porridge, because there is this Difference between a Man and a Pea, you may know a Pea by its Outside, you can't a Man.
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    The Miser
    Mar. Ha, ha, ha! I shall die. Ha, ha, ha! You extravagant Creature, how cou'd you throw away all this Jest at once; it wou'd have furnish'd a prudent Person with an Annuity of Laughter for Life. Oh! I am charm'd with my Conquest; I am quite in Love with him already. I never had a Lover yet above half his Age.
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    An Old Man Taught Wisdom
    Coup. I tell him! I hate him for his barbarous Usage of you, to lock up a young Lady of Beauty, Wit and Spirit, without ever suffering her to learn to Dance? why Madam, not learning to Dance, is absolute ruin to a young Lady. I suppose he took care enough you shou'd learn to read.
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    The Temple Beau
    Val. Would I were.--To shew you I distrust not your Friendship, I'll open my whole Breast to you. I had for almost two Years pursued that other Lady, and after a long Series of Importunity, at last obtain'd her Consent, and To-morrow was the appointed Day. But about a Month since, the Lady whom I told you of in our way from the Park, came hither; that I lik'd her, you'll easily believe; but by frequent Conversation, the Disease possess'd my whole Mind. My Love for her, and Aversion for my former Mistress, encreased daily
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    Tom Thumb
    Full title: THE TRAGEDY OF TRAGEDIES OR THE LIFE and DEATH OF Tom Thumb the Great
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    Tumble-Down Dick
    Full title: TUMBLE-DOWN DICK: OR, PHAETON in the SUDS. A Dramatick Entertainment of Walking, in Serious and Foolish Characters: Interlarded with Burlesque, Grotesque, Comick Interludes, CALL'D, Harlequin a Pick-Pocket.
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    THE AUTHOR'S FARCE
    Money. Yes, you told me of a play, and stuff: but you never told me you would order a gentleman to pay me. A sweet, pretty, good-humoured gentleman he is, heaven bless him! Well, you have comical ways with you: but you have honesty at the bottom, and I'm sure the gentleman himself will own I gave you that character.
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    PASQUIN
    Full title: PASQUIN; A DRAMATICK SATIRE ON THE TIMES BEING THE REHEARSAL OF TWO PLAYS: VIZ., A COMEDY CALLED THE ELECTION, AND A TRAGEDY CALLED THE LIFE AND DEATH OF COMMON SENSE.
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    Rape Upon Rape
    Full title: Rape upon Rape; OR, THE JUSTICE Caught in his own TRAP. A COMEDY.
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    J M Synge

    Riders to the Sea
    It is surely. There was a man in here a while ago -- the man sold us that knife -- and he said if you set off walking from the rocks beyond, it would be seven days you'd be in Donegal.
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    The Playboy of the Western World
    He gave a drive with the scythe, and I gave a lep to the east. Then I turned around with my back to the north, and I hit a blow on the ridge of his skull, laid him stretched out, and he split to the knob of his gullet.
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    Deirdre of the Sorrows
    I'll give you a riddle, Deirdre: Why isn't my father as ugly and old as Conchubor? You've no answer? . . . . It's because Naisi killed him.
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    In the Shadow of the Glen
    And what way will yourself live from this day, with none to care for you? What is it you'll have now but a black life, Daniel Burke, and it's not long I'm telling you, till you'll be lying again under that sheet, and you dead surely.
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    The Well of the Saints
    TIMMY -- [coming out, with a hammer, impatiently.] -- Do you want me to be driving you off again to be walking the roads? There you are now, and I giving you your food, and a corner to sleep, and money with it; and, to hear the talk of you, you'd think I was after beating you, or stealing your gold.
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    The Tinker's Wedding
    MICHAEL. A poor way only, Sarah Casey, for it's the divil's job making a ring, and you'll be having my hands destroyed in a short while the way I'll not be able to make a tin can at all maybe at the dawn of day.
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    In the Shadow of the Glen
    Improved text, supersedes earlier version.
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    John Galsworthy

    A Family Man
    BUILDER. You can't irritate me more than by having secrets. See what that led to in your sister's case. And, by the way, I'm going to put an end to that this morning. You'll be glad to have her back, won't you?
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    Loyalties
    TWISDEN. [Opening the envelope and reading] "All corroborates." H'm! [He puts it in his pocket and takes out of an envelope the two notes, lays them on the table, and covers them with a sheet of blotting-paper; stands a moment preparing himself, then goes to the door of the waiting- room, opens it, and says:] Now, Captain Dancy. Sorry to have kept you waiting.
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    Windows
    BLY. [Pausing--dipping his sponge in the pail and then standing with it in his hand] Why! Don't you remember the Bly case? They sentenced 'er to be 'anged by the neck until she was dead, for smotherin' her baby. She was only eighteen at the time of speakin'.
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    DEFEAT. A TINY DRAMA
    YOUNG OFF. Oh, not a bit; you're quite out! I assure you when we made the attack where I got wounded there wasn't a single man in my regiment who wasn't an absolute hero. The way they went in--never thinking of themselves--it was simply ripping.
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    THE FOUNDATIONS. (AN EXTRAVAGANT PLAY)
    LADY W. Well, thank heaven there's no "front" to a revolution. You and I can go to glory together this time. Compact! Anything that's on, I'm to abate in.
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    The Silver Box
    MRS. BARTHWICK. Lady Holyrood told me: "I had her up," she said; "I said to her, 'You'll leave my house at once; I think your conduct disgraceful. I can't tell, I don't know, and I don't wish to know, what you were doing. I send you away on principle; you need not come to me for a character.' And the girl said: 'If you don't give me my notice, my lady, I want a month's wages. I'm perfectly respectable. I've done nothing.'"'--Done nothing!
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    The Eldest Son
    KEITH. From human nature, I should have thought, John. I admit that I don't like a fellow's leavin' a girl in the lurch; but I don't see the use in drawin' hard and fast rules. You only have to break 'em. Sir William and you would just tie Dunning and the girl up together, willy-nilly, to save appearances, and ten to one but there'll be the deuce to pay in a year's time. You can take a horse to the water, you can't make him drink.
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    The Fugitive
    CLARE. I have to find a new room anyway. I'm changing--to be safe. [She takes a luggage ticket from her glove] I took my things to Charing Cross--only a bag and one trunk. [Then, with that queer expression on her face which prefaces her desperations] You don't want me now, I suppose.
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    A Bit O'Love
    GLADYS. 'Tisn't, winter now--Ascension Day. I saw her cumin' out o' Dr. Desert's house. I know 'twas her because she had on a blue dress an' a proud luke. Mother says the doctor come over here tu often before Mrs. Strangway went away, just afore Christmas. They was old sweethearts before she married Mr. Strangway. [To Ivy] 'Twas yure mother told mother that.
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    THE FIRST AND THE LAST. A Drama In Three Scenes
    LARRY. A Polish girl. She--her father died over here when she was sixteen, and left her all alone. There was a mongrel living in the same house who married her--or pretended to. She's very pretty, Keith. He left her with a baby coming. She lost it, and nearly starved. Then another fellow took her on, and she lived with him two years, till that brute turned up again and made her go back to him. He used to beat her black and blue. He'd left her again when--I met her. She was taking anybody then.
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    HALL-MARKED. A SATIRIC TRIFLE
    THE SQUIRE. [Taking EDWARD by the collar, and holding his own nose] Jove! Clever if he can smell anything but himself. Phew! She ought to have the Victoria Cross for goin' in that pond.
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    Joy
    MRS. HOPE. Molly says she'll be down by the eleven thirty. [In an injured voice.] She'll be here in half an hour! [Reading with disapproval from the letter.] "MAURICE LEVER is coming down by the same train to see Mr. Henty about the Tocopala Gold Mine. Could you give him a bed for the night?"
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    Justice
    RUTH. I'd have gone home to my people in the country long ago, but they've never got over me marrying Honeywill. I never was waywise, Mr. Cokeson, but I'm proud. I was only a girl, you see, when I married him. I thought the world of him, of course . . . he used to come travelling to our farm.
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    THE LITTLE DREAM: An Allegory in six Scenes
    SEELCHEN. [Rising to her knees, and stretching out her hands with ecstasy] Great One. I come! [Waking, she looks around, and struggles to her feet] My little dream!
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    THE LITTLE MAN. A FARCICAL MORALITY IN THREE SCENES
    AMERICAN. Well, just watch my gestures. I was saying [He points to the LITTLE MAN, then makes gestures of flying] you have an angel from heaven there. You have there a man in whom Gawd [He points upward] takes quite an amount of stock. You have no call to arrest him. [He makes the gesture of arrest] No, Sir. Providence has acted pretty mean, loading off that baby on him. [He makes the motion of dandling] The little man has a heart of gold. [He points to his heart, and takes out a gold coin.]
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    THE MOB. A Play in Four Acts
    THE DEAN. [Trying to bring matters to a blander level] My dear Stephen, even if you were right--which I deny--about the initial merits, there surely comes a point where the individual conscience must resign it self to the country's feeling. This has become a question of national honour.
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    THE PIGEON. A Fantasy in Three Acts
    H'MAN. [Receiving the coins--a little surprised and a good deal pleased.] Thank'ee, sir. Much obliged, I'm sure. We'll 'ave to come back for this. [He gives the dais a vigorous push with his foot .] Not a fixture, as I understand. Perhaps you'd like us to leave these 'ere for a bit. [He indicates the tea things.]
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    PUNCH AND GO. A LITTLE COMEDY
    FRUST. [In a cosmopolitan voice] "Orphoos with his loot!" That his loot, Mr Vane? Why didn't he pinch something more precious? Has this high-brow curtain-raiser of yours got any "pep" in it?
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    THE SKIN GAME
    HILLCRIST. Well, when I sold Hornblower Longmeadow and the cottages, I certainly found him all right. All the same, he's got the cloven hoof. [Warming up] His influence in Deepwater is thoroughly bad; those potteries of his are demoralising--the whole atmosphere of the place is changing. It was a thousand pities he ever came here and discovered that clay. He's brought in the modern cutthroat spirit.
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    Strife
    WILDER. [Breaking in fussily.] It's a regular mess. I don't like the position we're in; I don't like it; I've said so for a long time. [Looking at WANKLIN.] When Wanklin and I came down here before Christmas it looked as if the men must collapse. You thought so too, Underwood.
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    THE SUN. A SCENE
    THE MAN. [Smiling] No fear! [He puts it away] Shan't 'ave no need for it like as not. All right, little Daisy; you can't be expected to see things like what we do. What's life, anyway? I've seen a thousand lives taken in five minutes. I've seen dead men on the wires like flies on a flypaper. I've been as good as dead meself a hundred times. I've killed a dozen men. It's nothin'. He's safe, if 'e don't get my blood up. If he does, nobody's safe; not 'im, nor anybody else; not even you. I'm speakin' sober.
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    John Gay

    The Beggar's Opera
    MATT. We retrench the Superfluities of Mankind. The World is avaritious, and I hate Avarice. A covetous fellow, like a Jackdaw, steals what he was never made to enjoy, for the sake of hiding it. These are the Robbers of Mankind, for Money was made for the Free- hearted and Generous--by John Gay
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    Acis and Galatea
    Consider, fond Shepherd,/ How fleeting's the Pleasure,/ That flatters our Hopes,/ In pursuit of the Fair;/ The Joys that attend it,/ By Moments we measure,/ But Life is too little/ To measure our Care.
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    The Captives
    Orba./ This over-zeal perhaps may give offence,/ The Prince is treated like no common slave./ Phraortes strives to lessen his affliction,/ Nor would he add a sigh to his distresses:/ Astarbe too will talk to him whole hours/ With all the tender manners of her sex,
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    Dione
    What do I see? No. Fancy mocks my eyes, And bids the dear deluding vision rise. 'Tis she. My springing heart her presence feels. See, prostrate Lycidas before thee kneels.
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    The Distress'd Wife
    Bart. I find you have the Use of your Reason when your Wife is not by; consider yourself as a Man, and consider her as a Woman, and you may have it then too.--You were born to Freedom, and would you seek to make yourself a Slave? You were born to Fortune, and would you stoop to make yourself a Beggar? For of all Beggars, I look upon a Minister's Follower to be the meanest.
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    Rehearsal at Goatham
    Jack Oaf is in the wrong. Indeed he is. I thought Will Gosling too had a better Understanding. A Puppet-Shew is an innocent Thing.--Mr Drone, if I remember, you declar'd your Opinion very frankly upon this Point in t'other Room.
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    The Mohocks
    Thus far our Riots with Success are crown'd,/ Have found no stop, or what they found o'ercame;/ In vain th' embattell'd Watch in deep array,/ Against our Rage oppose their lifted Poles;/ Through Poles we rush triumphant, Watchman rolls/ On Watchman; while their Lanthorns kick'd aloft
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    Polly
    Trapes. There it is now! Whoever heard a man of fortune in England talk of the necessaries of life? If the necessaries of life would have satisfy'd such a poor body as me, to be sure I had never come to mend my fortune to the Plantations. Whether we can afford it or no, we must have superfluities. We never stint our Expence to our own fortunes, but are miserable, if we do not live up to the profuseness of our neighbours.
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    Lord Byron

    WERNER; OR, THE INHERITANCE: A TRAGEDY
    Wer./ I could not sleep--and now the hour's at hand! All's ready. Idenstein has kept his word; And stationed in the outskirts of the town, Upon the forest's edge, the vehicle Awaits us. Now the dwindling stars begin
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    CAIN: A MYSTERY
    Cain./ Why not?/ The snake spoke truth; it was the Tree of Knowledge;/ It was the Tree of Life: knowledge is good,/ And Life is good; and how can both be evil?/
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    The Deformed Transformed
    Cæs. I tell thee, be not rash; a golden bridge Is for a flying enemy. I gave thee A form of beauty, and an Exemption from some maladies of body, But not of mind, which is not mine to give. But though I gave the form of Thetis' son, I dipped thee not in Styx; and 'gainst a foe I would not warrant thy chivalric heart
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    Heaven and Earth
    Anah. But, Aholibamah, I love our God less since his angel loved me: This cannot be of good; and though I know not That I do wrong, I feel a thousand fears
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    Marino Faliero
    Ber. F. Methinks, my Lord, 'tis better as it is: A sudden swelling of our retinue Had waked suspicion; and, though fierce and trusty, The vassals of that district are too rude And quick in quarrel to have long maintained The secret discipline we need for such A service, till our foes are dealt upon.
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    Sardanapalus
    Salemenes (solus). He hath wronged his queen, but still he is her lord; He hath wronged my sister--still he is my brother; He hath wronged his people--still he is their sovereign-- And I must be his friend as well as subject: He must not perish thus. I will not see
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    Moliere

    The Middle Class Gentleman
    DORANTE: Monsieur Jourdain is right, Madame, to speak so, and he obliges me by making you so welcome. I agree with him that the repast is not worthy of you. Since it was I who ordered it, and since I do not have the accomplishments of our friends in this matter, you do not have here a very sophisticated meal, and you will find some incongruities in the combinations and some barbarities of taste.
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    Amphitryon
    SOS. What the deuce of a fellow is this? My heart thrills with clutching fear. But why should I tremble thus? Perhaps the rogue is as much afraid as I am, and talks in this way to hide his fear from me under a feigned audacity. Yes, yes, I will not allow him to think me a goose. If I am not bold, I will try to appear so. Let me seek courage by reason; he is alone, even as I am
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    The Misanthrope
    Alceste. No. My heart loathes you now, and this refusal alone effects more than all the rest. As you are not disposed, in those sweet ties, to find all in all in me, as I would find all in all in you, begone, I refuse your offer, and this much-felt outrage frees me for ever from your unworthy toils.
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    The Physician in Spite of Himself
    Sganarelle. The devil take me if I understand anything about medicine! You are a gentleman, and I do not mind confiding in you, as you have confided in me.
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    The School for Wives
    I declare I cannot rest anywhere; my mind is troubled by a thousand cares, thinking how to contrive, both indoors and out, so as to frustrate the attempts of this coxcomb. With what assurance the traitress stood the sight of me! She is not a whit moved by all that she has done, and though she has brought me within an inch of the grave, one could swear, to look at her, that she had no hand in it.
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    The Miser
    Frosine. Upon my word, need you ask? I should like it with all my heart. You know that, naturally, I am kind-hearted enough. Heaven has not given me a heart of iron, and I have only too much inclination for rendering little services when I see people who love each other in all decency and honour. What can we do in this matter?
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    THE LOVE DOCTOR--Translated/Adapted by F. J. Morlock
    SGANARELLE She died my friend. That loss is very painful to me, and I cannot think back on it without weeping. I wasn't very satisfied with her conduct -- and we often quarrelled with each other, but still, death puts all things to right. She's dead; I weep for her. If she were in life, we would be quarrelling. Of all the children that heaven gave me, it left me only one daughter, and that daughter is all my trouble for I see her in the most somber melancholy in the world in a dreadful sadness whose cause I don't even know and there seems no way of extracting her from it. As for me, I'm losing my wits and I need good advice on this matter.
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    THE BLUNDERER: OR, THE COUNTERPLOTS.
    PAND. Money, do you say? Oh! that is where the shoe pinches; that is the secret of the whole affair! So much the worse for you. For my part, I shall not trouble myself about it, but will go and lay an information against this Mascarille, and if he can be caught he shall be hanged, whatever the cost may be.
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    THE LOVE-TIFF.
    MASC. No, I am not coming back, because I have not yet been where I am going; nor am I going, for I am stopped; nor do I design to stay, for this very moment I intend to be gone.
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    THE PRETENTIOUS YOUNG LADIES
    MASC. Some larceny of my heart; some massacre of liberty. I behold here a pair of eyes that seem to be very naughty boys, that insult liberty, and use a heart most barbarously. Why the deuce do they put themselves on their guard, in order to kill any one who comes near them? Upon my word! I mistrust them; I shall either scamper away, or expect very good security that they do me no mischief.
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    SGANARELLE: OR THE SELF-DECEIVED HUSBAND
    SGAN. (Without seeing Celia). "O too happy mortal in having so beautiful a wife!" Say rather, unhappy mortal in having such a disgraceful spouse through whose guilty passion, it is now but too clear, I have been cuckolded without any feeling of compassion. Yet I allow him to go away after such a discovery, and stand with my arms folded like a regular silly-billy! I ought at least to have knocked his hat off, thrown stones at him, or mud on his cloak; to satisfy my wrath I should rouse the whole neighbourhood, and cry, "Stop, thief of my honour!"
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    THE BORES.
    ORPH. I really must laugh, and declare that you are very silly to trouble yourself thus. The man of whom you speak, far from being able to please me, is a bore of whom I have succeeded in ridding myself; one of those troublesome and officious fools who will not suffer a lady to be anywhere alone, but come up at once, with soft speech, offering you a hand against which one rebels.
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    THE SCHOOL FOR HUSBANDS
    SGAN. You know well enough what I wish to speak to you about. To tell you plainly, I thought you had more sense. You have been making fun of me with your fine speeches, and secretly nourish silly expectations. Look you, I wished to treat you gently; but you will end by making me very angry. Are you not ashamed, considering who you are, to form, such designs as you do? to intend to carry off a respectable girl, and interrupt a marriage on which her whole happiness depends?
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    Don Garcia of Navarre
    EL. To speak my mind freely to you, I am not much astonished at anything the Prince may do; for it is very natural, and I cannot disapprove of it, that a soul inflamed by a noble passion should become exasperated by jealousy, and that frequent doubts should cross his mind : but what surprises me, Don Lopez, is to hear that you keep alive his suspicions; that you are the contriver of them; that he is sad only because you wish it, jealous only because he looks at everything with your eyes. I repeat it, Don Lopez, I do not wonder that a man who is greatly in love becomes suspicious.
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    The Miser
    Note: Wall translation.
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    Monsieur de Pourceaugnac
    2ND PHY. Heaven forbid, Sir, that it should enter my thoughts to add anything to what you have just been saying! You have discoursed too well on all the signs, symptoms, and causes of this gentleman's disease. The arguments you have used are so learned and so delicate that it is impossible for him not to be mad and hypochondriacally melancholic; or, were he not, that he ought to become so, because of the beauty of the things you have spoken, and of the justness of your reasoning. Yes, Sir, you have graphically depicted, graphice depinxisti, everything that appertains to this disease.
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    The Magnificent Lovers
    CLI. Yes; I wager that I will guess presently whom you love. I have some secrets, as well as our astrologer with whom the Princess Aristione is so infatuated; and if his science makes him read in the stars the fate of men, I have the science of reading in the eyes of people the names of those they love. Hold up your head a little, and open your eyes wide. E, by itself, E; r, i, ri, Eri; p, h, y, phy, Eriphy; l, e, le, Eriphyle. You are in love with the Princess Eriphyle.
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    The Shopkeeper Turned Gentleman
    MR. JOUR. That confounded tailor makes me wait a long time on a day like this, when I have so much business to attend to. I am furious. May the deuce fly away with the tailor! May the plague choke the tailor! May the ague shake that brute of a tailor! If I had him here now, that rascally tailor, that wretch of a tailor, I....
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    Psyche
    Note: TRANSLATED INTO ENGLISH PROSE. WITH SHORT INTRODUCTIONS AND EXPLANATORY NOTES
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    The Countess of Escarbagnas
    COUN. Long live Paris! It is only there that one is well waited upon; there a glance is enough.
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    Opera Librettos

    SAMSON, An opera by Voltaire
    SAMSON: What a sight of horror!/ What, these proud children of error/ Have brought these monsters they adore amongst you?/ God of battles, look in your furor,/ The unworthy rivals that our tyrants implore./ Support my zeal, inspire me/ Avenge your cause, avenge yourself./
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    PANDORA, By VOLTAIRE
    PANDORA: (noticing Prometheus in the midst of the nymphs)/ What object attracts my eyes!/ Of all that I see in these pleasant parts/ It's you, it's you, no question, to whom I owe life. / My soul is filled with the fire from your glances;/ You seem still to vivify me.
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    THE TWO WINE CASKS: Sketch of a comic opera by Voltaire
    GREGOIRE: Little girl,/ Tremble as this mystery may be revealed;/ It's the secret of the gods, beware not to repeat it/ As soon as it is told. / Learn that one dies the death quickly./ Cease your over-free speeches,/ Contain your cursed tongue,/
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    THE TEMPLE OF GLORY, AN OPERA
    Note: By VOLTAIRE Translated and adapted by Frank J. Morlock
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    Pandore--Opera, par Voltaire
    PROMETHEE./ Je veux servir la terre, et non pas l'opprimer./ Hélas, à cet objet j'ai donné la naissance,/ Et je demande en vain qu'il s'anime, qu'il pense./ Qu'il soit heureux, qu'il sache aimer./
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    Samson--par Voltaire
    SAMSON./ Vous que le ciel console après des maux si grands,/ Peuples, osez paraître aux palais des tyrans:/ Sonnez, trompette, organe de la gloire;/ Sonnez, annoncez ma victoire.
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    TANIS AND ZELIDE
    TANIS: (entering) Is it possible O God!/ Phanor dares to attempt/ To expose your beautiful life to our haughty enemies!/ What would you go to do,/ Alas! On the ramparts of Memphis?/ What fate can you expect there?/
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    SARDANAPALUS By Henri Becque
    I took up the sword for your glory,/ Priest and soldier of your altars,/ You hold victory in your hand,/ You've given it to criminals.
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    THE KNIGHTS OF THE DAFFODIL--JULES VERNE
    GUERFROID: One moment! Let's do this by the rules, because the thing is serious. (he takes off his hat and coat and secures a stick in his hand) Hold yourself on the side, Landry, you are going to judge the hits. (low) He's going to ask mercy of me, he's going to see how I act.
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    THE BARON OF OTRANTO: An Opera Buffa
    BARON: One must deserve such a perfect love;/ Thus as my fate changes in a single day,/ Irene and my destiny awakes my courage./ (to his vassals who appear, armed)/ Friends, sword in hand, let's beat out a passage/ To our own hearths, ravished by these brigands.
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    ARMIDA--Quinault
    HIDRAOT: Armida is even more loveable/ Than she is formidable./ How glorious is her triumph!/ Her charms are greater than those of her beautiful eyes./ She has no need to borrow it from the terrible art/ That she knows, when it pleases her, to cause hell to arm./ Her beauty finds everything possible./ Our proudest enemies quake in her fetters.
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    AMADIS By QUINAULT
    CORISANDE: Since heaven doesn't permit me/ To live with you in extreme happiness,/ Death itself, with you,/ Appeals to me./ The sweetness of dying with the one I love/ Mollifies the horror of death./
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    ISIS By Quinault
    HIERAX: Let's stop loving an unfaithful woman./ Let's avoid the cruel shame/ Of serving, of adoring one who no longer loves us./ Let's finish breaking the chains that she has broken./ Let's disengage ourselves, let's leave such a funereal empire./ Alas! Despite myself I am sighing./ Ah, my heart, what cowardice!
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    ATYS By Quinault
    IRIS: (speaking to Melpomene) Cybele wants Flora to second you today./ Pleasures must come from every where/ In the mighty empire where a new Mars reigns./ They have no other asylum in the world./ Make yourself, if you can, worthy of his notice./
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    THE ADOPTIVE SON--By Jules Verne and Charles Wallut
    BARON: He shall wait, sir, and I don't think he will be dishonored by waiting. Gentlemen, in the ninth century, one of my ancestors, Renaud d'Entremouillettes, was the Senechal of King Louis the Meek-- that means supervisor of the Royal Mansion.
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    MR. CHIMPANZEE: Operetta in one act--Jules Verne
    ISIDORE: (alone) Ouf! (he takes off his mask furtively after first having made some ape like gambols) I'm suffocating! How hot the apes must be! You see what love has reduced me to! To abdicate my dignity as a man! It seems to me that I am itching all over! Etamine! Etamine! At last I am going to speak to you and see you! Mr. Van Carcass had always shown me the door. Once I learned that he was expecting a monkey from Brazil, I didn't hesitate to dress in this chimpanzee outfit! But let's behave well and not be too nasty, for fear they'll chain us up! Let's have good manners to keep our freedom. Oof! It's not easy, in this thing! I don't know how the monkeys stand it.
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    ROLAND: A tragedy--Quinault
    ROLAND: (alone) I am betrayed! Who could have believed it?/ O heaven! I am betrayed by the beautiful ingrate/ For whom love made me betray my glory./ O sweet hope with which I was enchanted,/ In what abyss have you hurled me?/ Witnesses of an odious passion,/ You have too greatly wounded my eyes./
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    FRANCOIS VILLON--M. Got
    VILLON: (throwing Gauthier's cap on the ground)/ Say who's coming back to you/ And hats off before these rich men!/ It's I who will pay for everybody! (he gives money to Gauthier)/ I've got an appetite!
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    SAPHO: An Opera
    SAPHO: In this nation that greets me/ It's you alone that I see;/ In the shouts of the agitated crowd/ I hear only your voice, Phaon./
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    ALCESTIS By Quinault
    NYMPH OF THE TUILERIES: Art agrees with nature/ To serve love in these charming parts./ These waters which cause dreaming with such sweet/ murmurs,/ These lawns where flowers form so many decorations,/ These fields, these beds of green,/ Everything is made for lovers.
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    CADMUS AND HERMIONE By Quinault
    CADMUS: Well! I will perish if destiny decrees it;/ I intend to deliver Hermione,/ And if I undertake it in vain/ I won't know a better destiny to perish for./ Where are our Africans? Let their troupe advance./ The princess wants to see their most gallant dance./ Why is it only one of them appears?
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    DEATH OF CAESAR By Voltaire
    CAESAR: Never mind, I'm his father./ I've cherished, I've saved my greatest enemies./ I intend to make myself loved by Rome and by my son;/ And conquering vanquished hearts through my clemency/ To see the earth and Brutus adore my power./ It's up to you to assist me in such great plans;/
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    SCANDERBERG--A Tragedy
    Note: Words by M. De La Mothe Music by M. Rebel and M. Francoeur Ballets by Laval pere and fils
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    HERCULES DYING, BY MARMONTEL
    JEALOUSY: No, no, in the whole of nature,/ Everyone happy is my rival./ I would like for the Sun to darken the light/ Of Alcidas, as shivering I admire his labors./ The happiness of Deijaneira/ Revolts me, tears me apart.
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    PERSEUS, By QUINAULT
    CEPHEUS: The Gods punish pride./ It's not grandeur that irritated heaven/ Abases when it wishes and reduces to ashes,/ But a prompt repentance/ Can stop the lightning bolt/ Ready to descend.
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    RUSTIC AMOURS, A Pastoral By Favart
    DAMON: What stupidity!/ Pain exceeds the pleasure./ With us the vainest beauty/ Answers to our first sigh,/ Pleasure exceeds the pain./ I intend to adorn her heart,/ To lead away the shepherdess;/
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    PENELOPE, By Marmontel
    PENELOPE: (in fright and distress)/ It's over with. Death surrounds him./ Today, Nesus alone could/ Save him, defend him, and Nesus is abandoning him! Ah! if there's still time, go, my darling Theone,/ Implore his support,
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    CASTOR AND POLLUX, By Rameau and Bernard, An Opera
    POLLUX: No, stay, Castor, it's I who order you to./ Love and friendship impose the law on you./ Calm the unease into which your soul's abandoning itself./ To keep you near me,/ The hand that owes faith to me/ Is the chain that I am giving you.
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    ZENEIDA BY M. DE CAHUSAC
    ZENEIDA: I also really noticed it,/ Anyway, what he told me, quite hushed,/ --All men don't have this tender and timid air./
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    DIDO, By Marmontel, Music by Piccini
    DIDO: Let him lose a vain hope./ Faithful to my choice, without retraction,/ I see with indifference/ Both his love and his wrath./
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    Oscar Wilde

    A Woman of No Importance
    LADY HUNSTANTON. Politics are in a sad way everywhere, I am told. They certainly are in England. Dear Mr. Cardew is ruining the country. I wonder Mrs. Cardew allows him. I am sure, Lord Illingworth, you don't think that uneducated people should be allowed to have votes?
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    An Ideal Husband
    MABEL CHILTERN. How can you say such a thing? Why, he rides in the Row at ten o'clock in the morning, goes to the Opera three times a week, changes his clothes at least five times a day, and dines out every night of the season. You don't call that leading an idle life, do you?
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    The Decay of Lying
    VIVIAN. Please don't interrupt in the middle of a sentence. "He either falls into careless habits of accuracy, or takes to frequenting the society of the aged and the wellinformed. Both things are equally fatal to his imagination, as indeed they would be fatal to the imagination of anybody, and in a short time he develops a morbid and unhealthy faculty of truthtelling, begins to verify all statements made in his presence
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    A Florentine Tragedy--A Fragment (and other works)
    SIMONE. My good wife, you come slowly; were it not better/To run to meet your lord? Here, take my cloak./Take this pack first. 'Tis heavy. I have sold nothing:/Save a furred robe unto the Cardinal's son,/Who hopes to wear it when his father dies,/And hopes that will be soon.
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    Lady Windermere's Fan
    LADY WINDERMERE. There is not a GOOD woman in London who would not applaud me. We have been too lax. We must make an example. I propose to begin to-night. [Picking up fan.] Yes, you gave me this fan to-day; it was your birthday present. If that woman crosses my threshold, I shall strike her across the face with it.
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    Salome
    THE YOUNG SYRIAN: She has a strange look. She is like a little princess who wears a yellow veil, and whose feet are of silver. She is like a princess who has little white doves for feet. One might fancy she was dancing.
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    Vera, or the Nihilists
    GENERAL: Why, five years ago, when I was a plain Colonel, I remember her, your Highness, a common waiting-girl in an inn. If I had known then what she was going to turn out, I would have flogged her to death on the roadside. She is not a woman at all, she is a sort of devil! For the last eighteen months I have been hunting her, and caught sight of her once last September outside Odessa.
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    The Duchess of Padua
    DUCHESS/Alas, my Lord,/Such common things as neither you nor I,/Nor any of these noble gentlemen,/Have ever need at all to think about;/They say the bread, the very bread they eat,/Is made of sorry chaff.
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    For Love of the King
    "The price is nothing. Have I not looked on my heart's beloved one for five years--looked on his face--heard his voice--trembled with joy at his footsteps? Have I not waited and watched? Have I not gazed on my sons and seen their royal bearing, and known their touch?"
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    LA SAINTE COURTISANE
    Full title: LA SAINTE COURTISANE, or, THE WOMAN COVERED WITH JEWELS
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    Intentions--Oscar Wilde
    ERNEST. Well, while you have been playing, I have been turning over the pages with some amusement, though, as a rule, I dislike modern memoirs. They are generally written by people who have either entirely lost their memories, or have never done anything worth remembering; which, however, is, no doubt, the true explanation of their popularity, as the English public always feels perfectly at its ease when a mediocrity is talking to it.
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    Parades

    THE TURKISH APPLE A parade--Thomas Gueulette
    Note: Translated and adapted by Frank Morlock
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    THE COURIER FROM MILAN. A PARADE
    ISABELLE: Come then, Harlequin, I'm a reasonable girl, who will never do anything against her honor, but Hell, it is really irritating not to be able to have the least diversion, and to be locked up like a poor dog on a leash, and I am quite sure that you won't have such a rigorous rigor for me; you are too reasonable and too polite for that.
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    THE SHIT SELLER By T. Gueulette
    GILLES: By Jove, now here's something admirable! I wouldn't have believed it if I hadn't seen it. Come on, now that's what's done. I will make myself a seller of shit. I was seeking a profession, this one isn't difficult, I will be master at once, and Catin will have nothing to reproach me with. Mr. Harlequin, I am much obliged to you.
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    PREGNANT WITH VIRTUE By T. Gueullete
    CASSANDRE: What? Is it because you notice that my daughter is pregnant that you would like to break it off?
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    CHASTE ISABELLE A Parade By Thomas Gueulette
    ISABELLE: (alone) And from the two of them! My dear lover will no longer reproach me with not knowing how to earn my bread. For we have wherewithal to do it. But isn't that him I see coming?
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    COLIN AND COLETTE By Beaumarchais
    COLETTE: (excitedly) Go, ingrate! Don't ever show yourself to my eyes again. I am going to flee the places where I might meet you, and I abandon to my rival all the rights that I had over your heart.
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    Richard Brinsley Sheridan

    THE FORTY THIEVES: A GRAND MELO-DRAMATIC ROMANCE
    Ali. [Calling.] Why, Ganem! I say, faster, you rogue, faster! I thought to have cut a score or two of good logs by this time. Why, Ganem, I say! zounds! do you get on, at all events. [Beating the ass.] You've gone the road often enough to know it.
    Zip Version Drama/Richard Brinsley Sheridan
    THE CAMP
    Then should our vaunting enemies come,/ And winds and waves their cause allow,/ By freedom's flag we'll beat our drum,/ And they'll fly from the sound of our row, dow, dow./ Row, dow, dow,
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    The CRITIC, OR A Tragedy Rehearsed
    SNEER. Most obligingly communicative indeed; and your confession if published, might certainly serve the cause of true charity, by rescuing the most useful channels of appeal to benevolence from the cant of imposition.--But surely, Mr. Puff, there is no great mystery in your present profession?
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    THE DUENNA
    Jerome. Very well, ma'am, then mark me--never more will I see or converse with you till you return to your duty-- no reply--this and your chamber shall be your appartments, I never will stir out without leaving you under lock and key, and when I'm at home no creature can approach you but thro' my library--we'll try who can be most obstinate-- out of my sight--There remain till you know your duty.
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    The Governess
    Don Ped. What is all this scraping, fiddling, and serenading! --I desire I may have no more of it.--And what have you been about, sir?--disturbing some honest family in the same manner, I suppose! Sophia, to-morrow, child, I have determined you shall marry Enoch Issachar; and then--
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    Pizarro
    Ata. (Draws his sword.) Now, my brethren, my sons, my friends, I know your valour.-- Should ill success assail us, be despair the last feeling of your hearts.--If successful, let mercy be the first. Alonzo, to you I give to defend the narrow passage of the mountains. On the right of the wood be Rolla's station. For me, strait forwards will I march to meet them, and fight until I see my people saved, or they behold their Monarch fall. Be the word of battle --God! and our native land. (A march.)
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    The Rivals
    Mrs. Mal. You thought, Miss!--I don't know any business you have to think at all--thought does not become a young woman; the point we would request of you is, that you will promise to forget this fellow--to illiterate him, I say, quite from your memory. (Note: all the webmaster's mis-typings on own message board have just been explained by genetics.)
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    St. PATRICK'S DAY; OR, THE SCHEMING LIEUTENANT
    Bri. No, give me a husband that knows where his limbs are, though he want the use of them--and if he should take you with him--to sleep in a baggage cart, and stroll about the camp like a gipsey, with a knapsack and two children at your back--then by way of entertainment in the evening, to make a party with the Serjeants wife, to drink bohea tea, and play at all fours on a drumhead, 'tis a precious life to be sure.
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    A TRIP TO SCARBOROUGH
    Y. Fashion. Thou say'st true; for there's that fop now has not, by nature, wherewithal to move a cook maid: and by the time these fellows have done with him, egad he shall melt down a Countess--but now for my reception.
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    Memoirs of the Life of the Rt. Hon. Richard Brinsley Sheridan V1--Thomas Moore
    Mr. Sheridan was now approaching the summit of his dramatic fame;--he had already produced the best opera in the language, and there now remained for him the glory of writing also the best comedy. As this species of composition seems, more, perhaps, than any other, to require that knowledge of human nature and the world which experience alone can give, it seems not a little extraordinary that nearly all our first-rate comedies should have been the productions of very young men. Those of Congreve were all written before he was five-and-twenty.
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    Life of Sheridan, Vol 2--Thomas Moore
    Full title: Memoirs of the Life of Rt. Hon. Richard Brinsley Sheridan Vol 2
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    Sherlock Holmes Pastiches

    SHERLOCK HOLMES IN THE ADVENTURE OF THE MULBERRY STREET IRREGULAR
    Note: From an original story by Frank J. Morlock
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    The Adventure of Merlin's Tomb
    Note: Dramatized by Frank J. Morlock from an original story by. Sherlock Holmes meets Father Brown!
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    Sherlock Holmes and the Grand Horizontals.--FRANK J. MORLOCK
    Liane: You see he is not married, and being an absolute autocrat--there is nothing to prevent him marrying me--which I expect he will do-- therefore, I refuse to become his mistress. Then when these murders began, the Duke, who is, one must admit, a bit perverted, began to show a little interest in Caroline. A slight interest from a romantic point of view--you see, the Duke loves danger.
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    THE REAL SHERLOCK HOLMES
    Note: Dramatized from an original story by Frank J. Morlock
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    THE MAN WHO FELL FROM HEAVEN
    Note: A Sherlock Holmes Mystery By Frank J. Morlock
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    William Congreve

    The Double-Dealer
    LORD TOUCH. I don't believe it true; he has better principles. Pho, 'tis nonsense. Come, come, I know my Lady Plyant has a large eye, and would centre everything in her own circle; 'tis not the first time she has mistaken respect for love, and made Sir Paul jealous of the civility of an undesigning person, the better to bespeak his security in her unfeigned pleasures.
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    The Way of the World
    LADY. With Mirabell? You call my blood into my face with mentioning that traitor. She durst not have the confidence. I sent her to negotiate an affair, in which if I'm detected I'm undone. If that wheedling villain has wrought upon Foible to detect me, I'm ruined. O my dear friend, I'm a wretch of wretches if I'm detected.
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    The Old Bachelor
    SIR JO. Um--Ay, this, this is the very damned place; the inhuman cannibals, the bloody-minded villains, would have butchered me last night. No doubt they would have flayed me alive, have sold my skin, and devoured, etc.
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    Incognita
    Here Aurelian contracted an acquaintance with Persons of Worth of several Countries, but among the rest an intimacy with a Gentleman of Quality of Spain, and Nephew to the Archbishop of Toledo, who had so wrought himself into the Affections of Aurelian, through a Conformity of Temper, an Equality in Years, and something of resemblance in Feature and Proportion, that he look'd upon him as his second self.
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    Love for Love
    FORE. What, would you be gadding too? Sure, all females are mad to-day. It is of evil portent, and bodes mischief to the master of a family. I remember an old prophecy written by Messahalah the Arabian, and thus translated by a reverend Buckinghamshire bard:-
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    William Dean Howells

    The Elevator
    MRS. CRASHAW: "It's very fortunate that we are all here together. I ought to have been here half an hour ago, but I was kept at home by an accident to my finery, and before I could be put in repair I heard it striking the quarter past. I don't know what my niece will say to me. I hope you good people will all stand by me if she should be violent."
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    The Parlor-Car
    MISS GALBRAITH: "Oh, DEAR, how provoking! I suppose I must call the porter." She rises from her seat, but on attempting to move away she finds that the skirt of her polonaise has been caught in the falling window. She pulls at it, and then tries to lift the window again, but the cloth has wedged it in, and she cannot stir it. "Well, I certainly think this is beyond endurance! Porter! Ah,--Porter!
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    The Register
    RANSOM: "Then something happened that made me glad, for twenty-four hours at least, that I hadn't spoken. She sent me the money for twenty-five lessons. Imagine how I felt, Grinnidge! What could I suppose but that she had been quietly biding her time, and storing up her resentment for my having told her she couldn't learn to paint, till she could pay me back with interest in one supreme insult?"
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    The Albany Depot--W. D. Howells
    Campbell: "There's a respectable butter-ball over in the corner by the window there. You'd better go and speak to her. She's got a gingham bundle, like a cook's, in her lap, and she keeps looking about in a fidgety way, as if she expected somebody. I guess that's your woman, Roberts. Better not let her give you the slip. You'll never hear the last of it from Agnes if you do. And who'll get our dinner to-night?"
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    Various

    The City Heiress
    Sir Charles, thanks to Heaven, you may be leud, you have a plentiful Estate, may whore, drink, game, and play the Devil: your Uncle, Sir Anthony Meriwill, intends to give you all his Estate too. But for such Sparks as this, and my Fop in Fashion here, why, with what Face, Conscience, or Religion, can they be leud and vitious, keep their Wenches, Coaches, rich Liveries, and so forth, who live upon Charity, and the Sins of the Nation?-- by Aprah Behn
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    THE VAMPIRE BY CHARLES NODIER
    Rutwen Stop! Lovette, let your sight console me a moment for all that I have lost. I want to delight my spirit in fancies of a happiness that no longer exists. I want to believe myself for a moment to be your spouse--believe yourself for a moment with Edgar. Don't refuse me this sweet illusion. I will have nothing more to do than to die.
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    Cyrano de Bergerac
    'Tis enormous!/Old Flathead, empty-headed meddler, know/That I am proud possessing such appendice./'Tis well known, a big nose is indicative/Of a soul affable, and kind, and courteous,--by Edmond Rostand
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    The School For Scandal
    SIR BENJAMIN. Nay now--you are severe upon the widow--come--come, it isn't that she paints so ill--but when she has finished her Face she joins it on so badly to her Neck, that she looks like a mended Statue, in which the Connoisseur sees at once that the Head's modern tho' the Trunk's antique----by Richard Brinsley Sheridan
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    Rosencrantz and Guildenstern
    ROSENCRANTZ / To sleep, perchance to --/Dream. /That's very true. I never dream myself. /But Guildenstern dreams all night long out loud. --by W.S. Gilbert, of Gilbert &Sullivan fame.
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    All For Love
    CLEOPATRA./I am no queen:/Is this to be a queen, to be besieged By yon insulting Roman, and to wait/Each hour the victor's chain? These ills are small:/For Antony is lost, and I can mourn/For nothing else but him. Now come, ctavius,/I have no more to lose! prepare thy bands;
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    A Blot In The 'Scutcheon
    MERTOUN. Oh, Mildred, have I met your brother's face?/Compelled myself--if not to speak untruth,/Yet to disguise, to shun, to put aside/The truth, as--what had e'er prevailed on me/Save you to venture? Have I gained at last/Your brother, the one scarer of your dreams,
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    If
    BILL/Well, anyway, I won't let any more of/them passengers go jumping into trains any/ more, not when they're moving, I won't./ When the train gets in, doors shut. /That's the rule. And they'll 'ave to abide by it.--by Edward James Plunkett (Lord Dunsany)
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    FOGGERTY'S FAIRY
    REBECCA [looking at FOGGERTY]. Well, it's about time to wake him. Poor fellow, he little thinks how materially his acquaintance with Miss Spiff has affected his subsequent adventures! Now that he has obliterated her and all the complicated consequences that came of his having known her, he won't know whether he's on his head or his heels. I'm really rather sorry for him. --by W.S. Gilbert
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    Chastelard, a tragedy
    QUEEN./A maid may have kissed cheeks/And no shame in them--yet one would not swear./You have sworn that. /Pray God he be not mad:/A sickness in his eyes. The left side love/(I was told that) and the right courtesy.--by Algernon Charles Swinburne
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    Box and Cox
    Cox. It is not the case only with the coals, Mrs. Bouncer, but I've lately observed a gradual and steady increase of evaporation among my candles, wood, sugar and lucifer matches. --by John Maddison Morton, Esq.
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    THE FALL OF ROBESPIERRE, AN HISTORIC DRAMA
    Robespierre. What? did La Fayette fall before my power?/And did I conquer Roland's spotless virtues?/The